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19/02/2005

Invitation soirée "Fabriquer le futur" le 4 mars 2005

E-Mergences invite les lecteurs de ce blog à assister à la soirée organisée autour de la sortie du livre "Fabriquer le futur".

Le 4 mars 2005, de 18h à 24h, à l'espace Toyota, 79, avenue des Champs-Elysées à Paris

Au cours de cette soirée, le collectif d'artistes Near donnera sa vision du futur à partir d'écrits qui font se rencontrer la photographie, le film et la vidéo.


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Pour recevoir une invitation, merci de nous adresser une demande par e-mail.

31/01/2005

Livre "Fabriquer le futur"

Notre livre vient de paraître !

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24/01/2005

Blink par Nicole-Anne Boyer



As many people know who read The Tipping Point, Malcolm Gladwell of The New Yorker is one of the most interesting and gifted writers around. A superb pattern-recognizer and storyteller, Gladwell adroitly elucidates important cross-cutting themes and memes within our midst. As a wise writer once said, a good book reads you just as much as you read it. Gladwell has a knack for writing about topics that do precisely that, whether it be helping us see more deeply into how social networks shape our world to how our brains shape us.

His book, The Tipping Point: How Little Things Make A Difference, for instance, turned the conventional wisdom of systemic change on its head. Instead of happening slowly and incrementally, which is how most change is perceived, Gladwell made a compelling case that change also happens quickly and unexpectedly -- and seemingly overnight whether it be fashion fads, the hit success of popular TV shows, or the rapid drop in crime in New York. He argued that "idea epidemics" could spread as fast and decisively as any physical one, which is an obvious and refreshing message for worldchangers, although not without some untoward implications as well.

Gladwell's most recent book, Blink: The Power of Thinking without Thinking, is also worth checking out because he picks another important meme: the implications of recent discoveries in the neurosciences and studies about how our brain works for daily life. Indeed, if I was to pick one game-changing discontinuity for the future, I would have to say it will most likely come from this space, especially any insight that enables us to dramatically increase our bandwidth for learning and memory -- something that a knowledge-intensive economy would eat up (and drive) like a hungry mob of microbes in a sewage dump. So watch this space closely.

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© Images.com/CORBIS
Russell R. Charpentie

Blink was inspired by a number of his articles archived on his website; in particular, The Naked Face which is an intriguing read about how people in law enforcement make life or death snap decisions. In a nutshell, the book highlights the role of our intuition and subconscious "rapid cognitive processes" in our decision-making, with examples that include everything from choosing our mates to making a strategic call in the battlefield. Again, Gladwell's aim is to challenge assumptions:

'We are innately suspicious of this kind of rapid cognition,'' Gladwell observes. We assume that long, methodical investigation yields more reliable conclusions than a snap judgment. But in fact, ''decisions made very quickly can be every bit as good as decisions made cautiously and deliberately.''

Well, sometimes. Therein lies the problem, as David Brooks highlights in a playfully balanced book review of Blink in the New York Times. This kind of "thin-slicing", a term Gladwell coins, is good only under certain conditions. In many conditions, "thick-slicing", the power of slower reflection is just as important and critically so. There are many situations where our impulses are just plain wrong. The trick is knowing the difference: when to trust your instincts and when not to. As anyone who has had flight training knows, this lesson becomes very clear. There are moments when your gut instincts can kill you: like when an aircraft stalls, to break out of it, the thing you need to do is point the nose down to the ground instead of pulling up which the reaction we naturally want to do.

In my work, I see this a lot with executives in industries and policy-makers in government agencies experiencing large systemic change, something we are seeing across the board these days (another tipping point of sorts which I won't digress about for now.) In these organizations, many of the "old hands" feel lost because their instincts -- the knowledge built up through years of experience -- is not a reliable guide to their decision-making. The good ones know that the future will not be the same as the past, requiring them to think "out of the box" and challenge their assumptions. This is hard because this involves a certain cognitive dissonance and discomfort, and often requires a retooling of capabilities, competencies and mindsets. And this is a process that doesn't happen overnight, despite the hope of some of these executives in search of quick fixes. Rather, this is something that can only unfold with slower reflection and iteration (heuristics designed to expand the zone of proximal development, to use learning theory jargon).

If only certain world leaders would similarly engage in this kind of deeper reflection -- a slowing down to go fast, which is the best method to surface and test key assumptions! While we can't blame Gladwell for what people do with his ideas, I do fear that books like his will inadvertently help rationalize and support the irresponsible actions of leaders who justify their decisions by their "gut" feeling.

In a similar vein, I disagree with Gladwell that most people distrust instinctual responses. With the President of the United States as a prime example, I know too many people who rely on nothing but these primordial senses and are proud to do so. As much as I am an advocate of the "whole person" approach to problem-solving, one that honours all forms of intelligence and knowing, I also think we can't throw the baby of rationality out with the bath water. I think it's safe to say that the invention of dentistry, public sanitation, germ theory, and the fact that we no longer burn witches at the stake en masse (at least not in the physical sense) are all positive byproducts of the Age of Reason.

A longer view might help put this into perspective as well. For instance, pale-neuroscientists, the folks who study how our brain has evolved over the past million years or so, argue that an instinct-driven way of being sufficed in an evolutionary time when we lived in smaller tribal groups with more localized and immediate challenges (like finding a safe way to hunt a wooly mammoth). But relying on instincts alone works less well -- as I've shown, often fatally -- when we have to make decisions by interpreting a much richer array of information spanning different time and spatial scales (like managing an enduring and collective response to challenges like global climate change, pandemics, or the massive reduction in arable land.) As any game explaining exponential change shows us, this kind of thinking is counter-intuitive and hard to grasp without rationality, whether it be through a process of scientific reasoning or using tools like computing to figure things out. This doesn't mean there is no role for intuition, which is often just a form of pattern recognition, as Gladwell successfully argues. It's just that we need to compliment this with a more sophisticated form of problem-solving that knows when to use what tool and where, that can judiciously blend the right kinds of intelligences at the right level in space and time. It's not overstating things, I don't think, to say that our fate as a species might depend on this leap in cognitive ability and consciousness ( a preoccupying theme of mine, I know.) Namely, we need to find creative ways to make real and relevant to mass audiences the connections between the global in the local and the local in the global.

Getting back to Blink, the book is definitely worth reading. Like all of Gladwell's fascinating pieces, it is written exceedingly well with delightful and memorable stories. But Brooks' main critique is right. There is no theory, no grounding to Gladwell's thesis, unlike The Tipping Point which had a proto-theory of change that showed how his "idea epidemics" spread through social networks within a matrix of key actors with catchy names ("connectors", "mavens" and "salesmen"). This kind of framework is missing, but will likely come from other writers seeking to cover these burgeoning ideas in the cognitive science space.

Indeed, stepping back from Blink, Brooks points out something even more important:

'Blink'' is part of a wave of books on brain function that are sweeping over us as we learn more about the action inside our own heads. This literature is going to have a powerful effect on our culture, maybe as powerful as the effect Freudianism had on our grandparents' time (the last time somebody tried to explain the brain's backstage process).

We should be a little wary of surrendering this field to the scientists. Philosophers ranging from Vico to Michael Oakeshott to Isaiah Berlin were writing about thin-slicing (which they called ''wisdom'') long before the scientists started picking apart our neurons, and long before psychologists started showing people snippets of videotape. And much of what they observe is more profound than anything you can capture with some ginned-up control group test in a psychology lab.

Having some distance to see how these memes are affecting our worldview -- our resource allocation, our policy-making, our choice of tools and techniques -- would be an important thing for sure. Remember how Darwin's ideas got skewed and perverted into social darwinism, the ubiquitous "survival of the fittest" doctrine, which Darwin himself discredited as being a simplified and incomplete view of evolution, but nonetheless was such a compelling explanatory framework for Victorian society at the time that it stuck and is regrettably still with us, dominating economic and political policy-making and right-wing projects. We wouldn't want the same thing to happen with the next wave of frameworks coming out of the cognitive sciences.

So who and what do we turn to for this kind of wise commentary, sense-making, and counterbalance to these discourses? Any candidates come to mind? I can think of few intellectuals who can overcome the barriers to entry (that is, mastering all of the knowledge across relevant fields) to get beyond the surface of popular reporting and guide us into deeper epistemological insight. This is a worry, a key limitation as science outstrips the public's ability to digest it. Perhaps someone needs to take Gregory Bateson's "Ecology of the Mind" approach the next step? He advocated an architecture of problem solving: a way of reflecting on reflecting, a way to upframe how we are thinking about thinking so that we can get this distance and see the forest through the trees, and perceive how certain memes are influencing discourse and discovery in a systemic way. Indeed, in a protean postmodern sense, it would be rather appropriate to have a kind of meta-analysis about how we're analyzing our brain, about how we're making sense of the discoveries about cognition. So I look forward to seeing more of this kind of meta-framing work. It delights those neurons of mine, both rapid and slow.

Nicole-Anne Boyer est consultante en prospective (Adaptive-Edge) et rédactrice du blog Fuzzy Signals.

16/01/2005

La vision prospective des artistes

Le livre "Artful Creation: Learning-tales of Arts-in-Business" de Lotte Darso est un remarquable travail d'enquête montrant combien la vision des artistes peut apporter au business, notamment du fait de leur vision prospective souvent aiguisée.




Short description
This book is about social innovation and organisational transformation through the Arts. It deals with live artists working in business settings as catalysts for change.
Abstract

The book primarily deals with two approaches for Arts-in-Business:

1. The Arts applied as an instrument for e.g. team-building, communication training, leadership development, problem solving and innovation.

2. The Arts integrated as a strategic process of organisational transformation.

Lotte Darsø has traveled round the world and conducted 50 interviews with the most visionary and courageous artists and business people in order to 'map' this new emerging field of Arts-in-Business. In this study she examines, describes and illustrates how the Arts can bring forth new learning opportunities and real transformation in business. Throughout the book people tell their amazing stories, which are analysed and elaborated into a coherent theoretical framework.

This book is an attempt to show the large potential of 'Artful Creation' and at the same time point out that the birth of a new paradigm offers promising prospects for the future of business and society.

The book is written for curious people, who are looking for new ways of making sense of a complex world - whether this is in business, research, the public, consulting, or in the Arts. The book offers groundbreaking ideas, new methods, inspiration, and concrete recommendations.

Téléchargez le premier chapitre (pdf en anglais).

10/01/2005

Créer du sens en marketing

Note de l'éditeur

Au-delà des études, des concepts, des techniques, cet ouvrage de Frédéric Dosquet revient sur les fondamentaux de cette discipline, passionnante mais complexe à la fois.
Passionnante car elle permet de donner du sens et donc vie à des objets (produits, marques, individus), qui sans ce travail sémiologique, n’aurait probablement jamais perdurer voire exister socialement ; mais aussi complexe car donner du sens à des objets nécessite pour réussir cette mission l’application stricte de règles de sens.
Cet ouvrage s’adresse donc aux futurs et actuels gestionnaires de sens (les marketers, les publicitaires et les consultants) et à celles et à ceux qui l’enseignent. Le lecteur y trouvera l’exposition d’un outil pratique de gestion du sens (« Le Sablier Marketing* »), mais aussi des conseils de lecture, des anecdotes et surtout plus d’une centaine d’exemples pratiques.
*Le Sablier Marketing est une marque déposée.

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Imagine, un magazine à découvrir




Magazine d'écologie et de société, Imagine pose un regard libre et non-conformiste sur notre réalité. A contre-courant de la société marchande, Imagine explore les voies d'un autre modèle de développement et cherche des alternatives positives pour répondre aux grandes questions de société.

Politique, mobilité, énergie, alimentation, santé, relations Nord/Sud, nature, culture, éthique,… autant de sujets qu’Imagine aborde de façon originale, dans une présentation graphique audacieuse.

L’équipe d’Imagine, ses collaborateurs et des milliers de lecteurs ont en commun la volonté concrète que ce monde aille vers plus de liberté, de vérité et de solidarité, vers plus de respect de soi-même, des autres et de notre planète.

Informations sur cette page

Vers des civilisations mondialisées. De l'éthologie à la prospective

Nouveau livre passionnant

Comment évoluent les civilisations ? La mondialisation les uniformise-t-elle ? Une communauté mondiale est-elle en train de s'établir ? Telles sont certaines des questions qui ont réuni éthologues, anthropologues, sociologues, économistes, philosophes, prospectivistes à Cerisy en 2003. Leurs travaux ont porté sur les hypothèses suivantes : premièrement, les civilisations s'enracinent dans des données anthropologiques et historiques singulières qui déterminent les comportements individuels et collectifs ainsi que les trajectoires des sociétés ; deuxièmement, leur développement repose sur la révélation de leurs potentialités ; troisièmement, il n'y a pas une mondialisation mais des mondialisations vécues par les différentes civilisations selon leurs spécificités ; quatrièmement, il y a peut-être une " mondialité " en émergence autour de valeurs communes. Pour étayer ces réflexions, le colloque s'est interrogé sur l'utilité de développer une éthologie des sociétés humaines, élargissant la discipline communément centrée sur les sociétés animales. Des " analyses éthologiques " ont été fournies pour expliquer les systèmes économiques, les religions, les modes de vie, les dispositifs de gouvernante et pour spéculer sur leur devenir. Les pistes méthodologiques ainsi ouvertes renouvellent l'approche des sociétés comme la prospective elle-même.

27/12/2004

Futuring

Livre à découvrir



Voir aussi ce commentaire : gonod3_210604.pdf

21/12/2004

Le consommateur au coeur de l'innovation

Remettre le consommateur au coeur de l'innovation ?

Il s'agit incontestablement d'une voie prometteuse pour mieux innover si l'on en croit la thèse développée dans ce livre.



Extrait du communiqué de presse :

Cet ouvrage écrit sous la direction de Jean Caelen, directeur de recherche au CNRS et directeur du laboratoire CLIPS, pose le problème essentiel de la conception de produits et services interactifs innovants – téléphones portables, stylos “ intelligents ”… – adaptés à l’usage des consommateurs. Ceux-ci, bien souvent, sont choisis pour cible des marchés mais n’interviennent pas en amont. À la fois pour des raisons de concurrence – il s’agit
pour les industriels de réduire le délai de la mise sur le marché depuis la première idée – et des raisons d’adéquation aux besoins des utilisateurs, il est impératif de faire intervenir les consommateurs au plus tôt dans le cycle de vie, c’est-à-dire dès la phase de conception.
Plus que jamais, un produit doit correspondre à des attentes pour avoir des chances de se diffuser auprès d’un marché d’utilisateurs professionnels ou privés. La “ conception participative ” répond à ces exigences : elle fait coopérer l’ensemble des acteurs de la conception (donneur d’ordre, entreprises, chef de projet, ingénieurs, ergonomes, spécialistes des sciences humaines et sociales…) en faisant intervenir tout de suite le consommateur dans toutes ses dimensions, sociale, économique et ergonomique. Cette méthode a l’avantage d’accélèrer le processus vers la commercialisation.

02/12/2004

Massive Change par Bruce Mau

Un livre très attendu. Véritable manifeste sur le futur du design, s'inscrivant dans le cadre du projet "Massive Change", projet de prospective mené conjointement pas l'agence de design de Bruce Mau et par the Institute without Boundaries.